If you click and drag while in the timeline, you can rapidly move back and forth through the movie to find a specific scene or event. You can also use the mouse to "scrub" through your movie. Hover over the timeline and click to jump to that point. When you do so, a blue indicator tracks your position and shows you the precise time that you have selected.Ĭlick the green current timecode to insert it into your transcript. You can also easily jump to another location by mousing over the timeline. The timeline shows you the start time, end time, and current time of your movie. The first thing to note in detail is the interactive timeline. You can use the View menu to adjust the aspect ratio of the video, in case your source material uses non-square pixels. Move this splitter left to make the video smaller and right to make the video larger. If you need to change the size of the video, grab the splitter control located between the video and your transcript. However, if the video is too large, InqScribe will scale the video when it's first opened. InqScribe tries to show your video files in their default size. Note that InqScribe may have resized the window slightly when it loaded the media file. Now InqScribe has loaded your media file and you're ready to go. InqScribe will now automatically load your media file. You can read more about them on the Selecting Media Sources page. button.įor now, ignore the Timecode and Description fields. The full path name of your selected file is shown below the Select File. Your dialog should now look something like the one on the right. Navigate through your hard drive (or networked file server) to find the file you want to work with, and then click Open. This displays a standard "open file" dialog. In this case, let's assume that you have a video file you want to transcribe. If you wanted to work with a Media URL or an offline source (a physical tape or a timer), you would select the appropriate source type. Note that the Select Media Source dialog assumes that you're going to work with a digital media file, so Media File is already selected in the popup menu. InqScribe uses AVFoundation to control media files and URLs, but can't control tape decks, so you'll tend to be working with first two types. A media source can be a file, a URL, a timer, or a physical videotape. This brings up the Select Media Source dialog shown on the right.Įvery InqScribe document connects one media source to one transcript. Click the empty blue media window or the No Media Selected button in the upper left. The first thing to do is to select the media source you'll be working with. Note: You can click on all the small screen shots to open full-size screen shots in another window. The transcript itself takes up the right hand side of the window. Since you haven't selected a media source yet, they are disabled. The remote control buttons in the lower left will be used to control the media. The upper left section of the window is reserved to define and display the media file (you'll get to that next). There are three basic components of the document window. Once the application is loaded, the splash screen goes away, and a new, untitled document window appears. The application loads, and the splash screen appears. Use the Keyboard to Annotate and Control the Movieĭouble-click the InqScribe application to get started.In four steps, it walks you through the process of launching InqScribe and starting to transcribe a video file.įor help installing InqScribe: How do I install InqScribe?. See above.Just want to get started? This page is for you. Log refers to an even lower contrasted version of a flat color profile. There are three different color profile logs that you can choose from:ĭefault refers to the camera's automatic settings to what it thinks is the most natural looking real-time color profile.įlat refers to the low contrast, high dynamic range that provides a solid base for color grading in post. Color profiles can not only help adjust the subset of colors that cameras can capture and display, but help them keep consistent between the two.Īdditionally, color profiles are deemed particularly useful for post-processing procedures, as they help increase dynamic range, improve retention, and strike contrast. For instance - a particular shade of red captured on your camera might look much different than what can be displayed on your computer screen. Luckily, color profiles help define what colors we are able to capture with our device and see on our computational displays. Color is an incredibly complex subject for both photography and videography.
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